- Despite positive reviews from critics, the album was less commercially successful than Love vs. Money, and debuted at number four on the Billboard 200. 2011–2014: 1977 and IV Play. On the Love King track 'Sex Intelligent (Remix)', The-Dream sang that he would release a follow-up album titled Love Affair on June 7, 2011.
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- The-Dream / 2010 - Love King (Deluxe Edition) / Torrent
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The-Dream exists among his peers in an oddly singular liminal state, betwixt and between obscurity, celebritydom, and apotheosis. During the past few years, he has written some of our biggest pop hits (Rihanna’s “Umbrella,” Beyonce’s “Single Ladies (Put A Ring On It),” Mariah Carey’s “Tough My Body”), released a very highly acclaimed R&B album (Love Hate), and been christened as one of our generation’s greatest pop artists, yet the next time you see him on TMZ or the cover of Rolling Stone will be the first. So, what is it? Is The-Dream a “radio killa” (read: pop star), an “R&B guerilla” (read: someone less ubiquitous), or a tortured genius (read: an unappreciated artist during his time)? On second full-length Love vs. Money, he wants it all: to have love and money, respect and popularity -- that is, to be timeless and timely.
At the heart of The-Dream’s sweaty and galactic jams is a cornucopia of the 21st-century’s distinguishing pop templates. There are a myriad of chopped and screwed and auto-tuned vocals, hints of Timbo-styled soft percussion clicks and hiccups, and the increasingly prevalent gang chant (listen: Pollow Da Don’s discography). But, even more vital to the general pop flavorings are the countless repeated vocals. For instance, the ad nauseam “yeahs” on “Mr. Yeah,” which certainly have a thematic meaning (Mr. Yeah is a “yes-man” to a comical degree), are extremely catchy, not unlike Rihanna’s “ella, ella, eh, eh, eh”s on “Umbrella.” Here, we hear a crack in the sonic text, The-Dream’s pop formula exposed.
Of course, it is impossible to speak of The-Dream, or his formula, without mentioning Christopher 'Tricky' Stewart, who produces eight of the album’s tracks. Together, these two have teamed to create the most fascinating, if not finest, pop hits of recent times. A string of Billboard Procrack. successes predicated on simplicity: The-Dream’s hiccupping vocal tics and Tricky’s looping whirring, heavy synths followed by ringing percussion accents. A formula that has become the formula, our formula, the epitome of pop, truly nothing could be more fundamentally timely.
But, on Love vs. Money, this formula is continually being played with. In fact, all of these previously mentioned pop templates are at play, and thereby deconstructed, a fascinating and at-times sonically remarkable post-structuralist-esque move. Take, the astonishing “Fancy/Right Side Of My Brain” suite, on which fanciful piano chords, dreamy vocals, and dawdling beatboxing are positioned next to cacophonous gang chants and hard-chopped and screwed vocals. Here, conventions are torn down: formula and novelty, the expected and unexpected -- disparate genres are conflated. These are the makings of novelty, the critical grist for the mill of artistic timelessness.
Along the same lines, The-Dream’s touchstones are indicative of his desire for timelessness. There are the themes that inspirit every track: love, sex, and money, which are certainly timeless (and/or timely), if not a bit tired, even banal. Certainly, the homogeneity of all the sex-talk (come-ons and pick-up lines galore) is the album’s lone glaring weakness, but with frequent gems, like “Now if they ask you can I sing like Usher, say no/ But I can make you sing like Mariah, ooooooooh,” it is nearly impossible to be too mad.
Then, there are the featured artists. In contrast to Love/Hate, superstars Fabolous, Rihanna, and Prince have been replaced with legends Kanye West, Mariah Carey, Michael Jackson, and R. Kelly. On “Walkin’ On The Moon,” for instance, The-Dream pays homage to the king of pop while the nouveau riche of rap (read: Kanye) spits 16-bars. Then, on the album’s final track, “Kelly’s 12-Play,” R&B star R. Kelly, arguably the major influence for The-Dream’s sexed-up, machismo-laced, colossal-loverboy shtick ('I'm all up on you like a monster truck'), is referenced, but, notably, where The-Dream begins by singing “Now we doin’ it to Kelly’s 12-Play,” he ends the track and the album with “Now we doin’ it to Dream’s Love/Hate.” In a move reminiscent of the Romantic poet, The-Dream apotheosizes himself, lifting himself up among the “stars” that he referenced earlier; thus, he is Kelly’s successor, the new R&B god, an artist of the timeless variety.
TorrentFunk is the fastest download search engine. Ditch ThePirateBay and come to us instead to find the latest TV shows, Movies, Games, Software and Anime with the most verified torrents right here. Money Being a true R&B culture representative on Love Vs Money The-Dream has preferred to continue the sex topic he has chosen for his debut album so most of the songs will be perfect for any couple’s having a good time together. Money is the second studio album by The-Dream, released on March 10, 2009, by Radio Killa and Def Jam Recordings. The album debuted at number two on the U.S. Billboard 200 chart, selling.
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If this album teaches us anything about The-Dream, he's aiming for legendary status, deftly maneuvering between being relevant and progressive. He gives us a ubiquitous pop formula, only to deconstruct it, leaving the album with many striking and singular tracks. Yet there are no sure-fire uber-#1-hit, the likes of which he has created, with seeming ease, for so many other artists. As a result, Love vs. Money exists, much like its creator, stuck somewhere between timely and timeless, kind of like a dream, the infectious, can’t-get-out-of-your-head variety.
1. Money Intro
2. Rockin’ That Shit
3. Walkin’ On The Moon featuring Kanye West
4. My Love featuring Mariah Carey
5. Put It Down
6. Sweat It Out
7. Take U Home 2 My Mama
8. Love vs. Money
9. Love vs. Money: Part 2
10. Fancy
11. Right Side Of My Brain
12. Mr. Yeah
13. Kelly’s 12 Play
14. Let Me See The Booty featuring Lil Jon (Bonus Track)
2. Rockin’ That Shit
3. Walkin’ On The Moon featuring Kanye West
4. My Love featuring Mariah Carey
5. Put It Down
6. Sweat It Out
7. Take U Home 2 My Mama
8. Love vs. Money
9. Love vs. Money: Part 2
10. Fancy
11. Right Side Of My Brain
12. Mr. Yeah
13. Kelly’s 12 Play
14. Let Me See The Booty featuring Lil Jon (Bonus Track)
More about: The-Dream
While R. Kelly has been preoccupied of late learning the definition of “teenager,” a new R&B songbird has flown onto his perch as the singer of choice for both the block and the bedroom, and his name is Terius “The-Dream” Nash. The pen behind some of the biggest R&B songs of the past two years – writing (Rihanna‘s “Umbrella,” J. Holiday‘s “Bed”) or co-writing (Beyonce‘s “Single Ladies,” Mariah Carey‘s “Touch My Body,” Mary J. Blige‘s “Just Fine”) for almost every prominent name in the genre – established himself as an amazing artist in his own right in 2007 with two gold singles (“Shawty Is A 10” and “Falsetto”) and one refreshingly unique-sounding gold album (Love/Hate). In tandem with the production of Christopher “Tricky” Stewart and Carlos “Los Da Maestro” McKinney (and a small army of engineers and others housed at Dream‘s Radio Killa label [click to watch] Dream introduced that New New Jack Swing – an ’80s inspired blend of synth-driven R&B/Electro sounds. And the ATL-based singer/songwriter has continued to develop that special brand of futuristic funk on his standout sophomore outing, Love Vs. Money.
Although there aren’t many sonics on Love Vs. Money that are as instantaneously impressive as Dream‘s latest hip-swinging smash “Rockin’ That Thang,” the supercharged synths and conga drums of the boot-knockin’ anthem “Put It Down” come pretty damn close. And while he has some trouble hitting the song’s high notes, Dream slyly acknowledges his vocal limitations when he self-deprecatingly sings, “Well if they ask you can I sing like Usher, say no/But I could make you sing like Mariah.”
The self-proclaimed “R&B Gorilla” subsequently breaks into a mid-song rap, which serves to highlight the almost emcee-like approach Dream takes with his craft, including dropping his native A-Town adlib (“Aye!”) and inserting down south screwed vocal samples (even on the sweeping piano-driven moment of melancholy, “Fancy”) all over the album.
Dream most notably shows his rapper sensibility at the conclusion of the bass heavy “Mr. Yeah.” After explaining over twinkling keys to a lost love that she can come back whenever she likes and declaring that “Cupid ain’t got shit on me,” he punctuates the song by bluntly asking his eventually returned ex, “Can we fuck now?”
Mr. Christina Milian keeps the subject matter on LVM mostly sexual – light on love but heavy on male machismo, similar to the approach of Jodeci in the ’90’s and Dream‘s most obvious influence, the aforementioned Kells. Student pays homage to teacher (and the Chi-Town crooner’s classic sophomore disc) on “Kelly’s 12 Play,” as Dream emulates his stylistic forefather’s “Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh” moans as he and a significant other are “Doin’ it to Kelly’s 12 Play” before she switches CD’s and he notes, “Now we doin’ it to Dream’s Love/Hate.”
Dream sounds very Kelly-ish on the ode to destroying a love’s fresh new hairdo in the bedroom on the slow-grinding “Sweat It Out.” But even with all the Kells love on Love, he is not the singer Dream is most consumed with on his latest full-length – that honor goes to former flame Nivea. On the album’s title-track (and its more menacing Pt. 2) Dream goes in about their past relationship – singing about love in a way he does nowhere else on the album. After detailing how he thought he could buy her love and loyalty, he explains that a new man in her life (presumed to be Lil Wayne [click to read]), “took my shawty/He took my girl.” But Dream eventually brushes his loss off after in a rare moment of candor conceding that “Money ain’t no match for love.”
Unfortunately, it’s not all heartfelt confessionals and stellar soundscapes on Love Vs. Money. “Right Side Of My Brain” is an awkward beatbox-based lament on being dumb and in love. And then there’s the completely banal “Let Me See The Booty,” where Lil Jon helps anchor a track featuring his signature (circa 2004) stylings but with added shrill echo effects sounding like some sort of soundtrack for a Haunted House of Crunk.
The-Dream / 2010 - Love King (Deluxe Edition) / Torrent
The_Dream_-_Love_vs._Money.rar | Uloz.to
And while I’m dishing out some hate for Love, Dream‘s duet with Mariah Carey, “My Love,” is a little cheesy. And it wouldn’t have hurt the album if Kanye West‘s passable verse on the Michael Jackson-inspired disco-ey dance number “Walkin’ On The Moon” would have been scrapped – as well as the other Crunk&B selection in addition to “Booty”: “Take U Home 2 My Mama.”
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But these critiques are ultimately dwarfed by Dream‘s unparalleled knack for making R&B interesting at a time when it seems so stereotypical and redundant. He will undoubtedly draw comparisons to Kells, but with Love Vs. MoneyDream proves his spage age music is in a galaxy all its own.
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